Adaskin String Trio with Ensemble Schumann
The Adaskin String Trio has won over audiences internationally with exuberant and stirring performances. Formed in 1994, the trio performs extensively throughout the US and Canada, and has appeared at Merkin Concert Hall in New York, the Corcoran Gallery of Art in Washington DC, and in Boston, Los Angeles, Montreal, Nashville, Pittsburgh, Santa Barbara and Chicago. Joined in a lively and colorful trio, the members of Ensemble Schumann (oboe, piano, and the violist from the Adaskin Trio) have performed together since 2005.
Ensemble Schumann has been featured at the prestigious Da Camera Series in Los Angeles, at the Clark Art Museum in Massachusetts and on Live From Fraser on WGBH- Radio in Boston.
Location: SOU Music Recital Hall
Friday, February 10, 2017 – 7:30pm and Saturday, February 11, 2017 – 3pm
EVENING SERIES: FRIDAY, FEBRUARY 10, 2017 – 7:30PM
Elgar – Andante and Allegro for Oboe Quartet
Honegger – Sonatina for Violin and Cello
Loeffler – 2 Rhapsodies for Oboe, Viola, and Piano
Francçaix – String Trio
Turina – Piano Quartet in A Minor, Op. 67
MATINEE SERIES: SATURDAY, FEBRUARY 11, 2017 – 3PM
J. C. Bach – Oboe Quartet
Sibelius – Suite for String Trio
Martinů – Quartet for Oboe, Violin, Cello, and Piano, H. 315
Brahms – Piano Quartet in G Minor, Op. 25
For more information go to: Chamber Music Concerts
“The Adaskin String Trio combines a flexible command of flow and phrase with instrumental power and eloquence” Gramophone Magazine
“Each member [of Ensemble Schumann] comes across as an exemplary virtuoso in his or her own right, and yet they play as if wedded for a half century.” Audiophile Audition San Francisco Examiner
Oregon Cabaret Theatre: Noises Off
February 9 – April 9, 2017
Critic Frank Rich claimed:
“Noises Off is, was, and probably always will be
the funniest play written in my lifetime.”
A classic door-slamming backstage comedy Noises Off reveals behind the scenes of the mounting of a new farce, Nothing On. It’s a story told in three acts with a rotating set, providing us looks both onstage and off as the ill-fated new farce careens from catastrophic dress rehearsals to historically hilarious failures during its run.
The idea for the farce came when playwright Michael Frayn was standing in the wings watching a performance of The Two of Us, a farce that he had written for Lynn Redgrave. Frayn noticed the show was funnier from backstage than from the audience’s perspective. This inspired him to write a farce from behind the scenes.
For more information and tickets go to Oregon Cabaret Theatre’s website.
Across the Pond with “Mason & Weed”
John Weed (fiddle) and Stuart Mason (guitar, mandolin, banjo) will be performing traditional Celtic and Appalachian, and blues music that digs deep into the roots of bluegrass music. Long before the time of Bill Monroe and Ralph Stanley, and the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a well of material that later formed the basis of the Mason & Weed Bluegrass repertoire.
Mason and Weed have been working up a batch of new tunes and songs for a new album project their first recording as a duo. So far, material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and Nordic roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album Lift as well as songs from the lively repertoire of Molly’s Revenge, Little Black Train and from Stuarts two solo albums.
For food at the winery: Sultan’s Delight will be on site with food available for purchase from 6pm.
Local musicians Kevin and Daniel Carr will open the show with a set of fiddle tunes!
Date: Sunday, February 5th
Tickets: $15 per person – Available at Brown Paper Tickets, or at the door.
New York Times Critics on August Wilson
“What August Wilson Mean Now” a New York Times article, critics Ben Brantley and Wesley Morris talk about August Wilson’s use of language and representation. This article is well worth the read.
Because of Oregon Shakespeare Festival’s productions of Wilson’s plays, I have been introduce to, and have come to love, August Wilson. I wish OSF would do his entire canon. It’s my personal goal to see all 10 plays that chronicle African-American lives in the Hill District of Pittsburgh — one play for each decade of the 20th century.
This 2017 season, OSF will produce Unison. With Wilson’s poetry, UNIVERSES, uses multimedia, poetry, dance, and music to weave a mythically current story of a dying poet. This poet leaves a box to apprentice with instructions to destroy it. Like Pandora of old, the apprentice opens the box; and releases the terrors that tormented his master.
OSF says: “This world premiere fuses poetry, theatre, dance, and music to explore the reconstruction of collective memory, bringing Wilson’s words to a new century and a new generation“.
I venture to guess that the powerful language he employs in his plays will also be present in his poetry.
Edward III, a New Play Reading
In March 2017, Ashland New Plays Festival, partnering with OSF, will produce a new play reading of Shakespeare’s Edward III. The play’s language will not be in King James’ English, but will instead be translated to modern English. As part of their “Play On!” project, OSF commissioned the renowned playwright Octavio Solis to translate Shakespeare’s Edward III play. This play will be one of the first to be presented among the 39 plays in OSF’s project.
Date: Monday, March 27, 2017
Location: SOU Music Recital Hall
About the Ashland New Plays Festival
For a number of years, I have attended the Ashland New Plays Festival. Of late, I have increasingly been impressed with the quality of work from Ashland New Plays Festival. With their new Artistic Director Kyle Haden, they have expanded from just a 5-day new play reading festival in October to much more. Starting in the Spring of 2017 there will be a number of events, including the reading of a new play Edward III.
Ashland New Plays Festival’s mission is to assist playwrights in the development of new works through public readings and offers an educational forum to the community through discussions and workshops. Many of the new plays selected go on to being produced by notable regional theaters, such as Oregon Shakespeare Festival.
Last fall, Kyle Haden was interviewed by the Daily Tidings, go here for the article.
Goodbye to Lawns
Some time in the summer of 2015, I reassessed my front garden and decided to remove the lawns with the goal to reduce water use, reduce deer forage, and increase visual appeal by simplifying the design with texture and a more unifying pattern.
The two so-called lawns (north and east of the house) were not doing the job. For lawns to look good they need lots of water and fertilizer. I was unwilling to use more water. The local granitic soil acts like a sieve, and most of the water, along with nutrients, drain right into the water table. I refuse to add excess fertilizer to the Bear Creek. So replacing the lawns was the first and easiest decision. However, the lawn sections provide negative space in the overall landscape design. Solution was flag stone and step-able ground cover. After a few astronomical quotes from ‘professional’ landscapers, I opted for the do-it-yourself method. Also replace the expensive flag stone with much cheaper cement pavers. In hindsight, after tallying up the costs, these were very smart decisions indeed!
Deer Resistant — My foot!
Later that same year, I started to think about the front yard planting beds. I say ‘planting beds’ because they were no longer flower beds. For many years, I have tried to achieve color during the summer/fall months with different flowering plants. With reassurances from the nurseries: “This plant is deer resistant, you’ll have color throughout the summer.” Well, after trying salvia, mint, rudibeckia, yarrow, verbena, coreopsis, mums, marigolds, succulents (the list goes on); it turns out they were partially correct. Deer might not eat the plant, but they love all those flower buds. Shasta daisies are the only flowering plant that currently is impervious to deer browsing (regardless of the name, it is a non-native). Thus I’ve given up on flower color during the summer in the front yard. There are too many deer; and they sample every available bud.
Instead of color, I am going with pattern and texture. So for the three planting beds, I mostly chose sedges, fescues, and grasses along with euphorbia. These are the only plants that the deer really won’t eat — yet.
Removing the So-called Lawns
We used two methods to remove the lawns: 1. smother the grass over the winter with cardboard and wood chips; and 2. manually scrap away the grass. Both techniques work well, the former requires patience, and the latter requires more brawn.
When Jim and I were prepping the planting beds, Ashland arborists chose that time to trim my trees from the electrical wires. “Perfect!”, I thought as I sauntered over to greet the workmen. After some pleasantries, I asked for the wood chips (figuring the wood chips are mine, after all). The workmen were happy to comply; and delivered enough chips to cover and smother the largest lawn section. In return, one guy asked for the Shasta daisies. Gotta love it when everyone is happy with a trade.
While the front East lawn was covered in wood chips over the winter of 2015/2016, I thought about paver pattern and design for the lawn sections. Jim campaigned hard for a rooster design in stonework for the north lawn – that was not going to happen! One afternoon (did I say one afternoon?) I laid out the pavers in the smaller north section by myself (about 325 square feet). That established the overall curvy geometric pattern, which was then repeated in the larger section. Thankfully, Jim helped me with the bigger section, and did the lion’s share of lifting! By the end of Spring 2016, pavers were all laid and creeping thyme planted, along with some additional accent plants. By late summer the thyme filled out so nicely in the north section, I had to trim it back.
Unforeseen Consequences: Connecting with Others
I was quite surprised by how many neighbors and Ashland tourists I met while working on this garden project. Some knew I was the owner, and some actually thought I was the hired help — the gardening overalls and straw hat can be misleading. Each and all were very supportive and approving of the project, however funnily enough none offered to help! Almost to the person, they would say “I can barely wait to see it finished.”, to which I would reply with a smile, “Me too!”
Brentano String Quartet
Brentano String Quartet plays at the SOU Music Recital Hall
Friday, January 20, 2017 – 7:30pm | Saturday, January 21, 2017 – 3pm
Brentano String Quartet has appeared throughout the world to popular and critical acclaim. Within a few years of its formation in 1992, the quartet garnered the first Cleveland Quartet Award, Naumburg Chamber Music Award, and Chamber Music Society Two, a coveted distinction for chamber groups and individuals.
In recent seasons, the quartet has appeared in the US, Canada, Europe, Japan, and Australia. In 2014 became the Resident String Quartet at the Yale School of Music, succeeding the Tokyo Quartet in that position.
The group is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved,” the intended recipient of his famous love confession.
EVENING SERIES: FRIDAY, JANUARY 20, 2017 – 7:30PM
Haydn – String Quartet in E-flat Major, Op. 20 no. 1
Kurtág – 6 Moments Musicaux
Beethoven – “Between Tides”
MATINEE SERIES: SATURDAY, JANUARY 21, 2017 – 3PM
Mozart – String Quartet in E-flat Major, K. 428
Hartke – Commissioned work
Dvořák – String Quartet in C Major, Op. 61
For more information go to Chamber Music Concerts
Spotlight on Billy Joel
January 12 – 29, 2017
Starring David King-Gabriel
Tickets: $22 – $33
Billy Joel is an American pianist, singer-songwriter, performer, and composer. Since releasing his first hit song “Piano Man” in 1973, Joel has become the sixth best-selling recording artist and the third best-selling solo artist in the United States. Joel achieved 33 Top 40 hits through the 1970s, 1980s, and 1990s. He is also a six-time Grammy Award winner and sold more than 150 million records worldwide.
Camelot Theatre’s Spotlight performance will include songs such as: “Piano Man”, “Just the Way You Are”, “A New York State of Mind,” and others.
Camelot Theatre Company is located in Talent, Oregon in the beautiful Rogue Valley, just a few miles north of Ashland. We perform in the brand new state-of-the-art James M. Collier Theatre. Here is our Mission Statement:
To be of service to the Rogue Valley, Oregon, by producing high-quality affordable plays, musicals and musical events while providing a supportive environment for professional and amateur theatre artists and technicians and inspiring and training adults, teens and children in the theatre arts.
For more information and to purchase tickets to this performance at the Camelot Theatre go to their website.
I am very fond of poetry, especially those poems about nature. Pepper Trail is a bit of a local legend. He is a research biologist specializing in ornithology. He is about to retire from being the senior forensic scientist and ornithologist at the U.S. Fish and Wildlife Service Forensics Laboratory in Ashland Oregon. He and his team fight wildlife trafficking.
A poem by Pepper Trail
“Not water alone does flow, but land
All its coverings and its inhabitants
The deer walking from valley to ridge
The birds and the every living thing
Find here, in a world of change, their place.”
2017 Oregon Shakespeare Festival Plays: The Outlook
December is when the general public can start buying tickets for 2017 Oregon Shakespeare Festival plays.
Frequently I am asked about what I know and think about the upcoming plays. I can’t predict the future (wouldn’t that be nice!). I try to see all plays when they are in preview, and then write reviews; however sometimes the word quickly gets out about which one are the ‘don’t miss’ plays, then the tickets are hard to get. I think next year will be no exception.
The past can frequently predict the future
I can share with you a remarkably consistent pattern I’ve noticed over the last 15 years. Every season there are more than a few plays nearly every guest loves. Most of the time those plays are the new(er) plays, often those produced in the Thomas theater, and plays with social justice themes. I don’t think this pattern will be any different next year. Thus I look forward to seeing these 2017 Oregon Shakespeare Festival plays: Mojada: A Medea in Los Angeles, Hannah and the Dread Gazebo, and Off the Rails. Personally, I have loved every play August Wilson has written, and I am a fan of poetry, so in addition to the ‘modern’ plays, I eagerly await Unison.
Furthermore, given how well done 2016’s Richard II was, I think the two Henrys are going to be in that ‘don’t miss’ category. Jeffrey King, who played Henry Bolingbrooke in Richard II, will continue with his same character into the Henrys. I am really looking forward to seeing the History plays.
Three of the Festival’s accomplished and popular actors, Danforth Comins, Rodney Gardiner, and Armando Durán, are leads in Julius Caesar. Given current political events, the subtext in this play will no doubt evoke more powerful reactions than other past Julius Caesar plays.
I am interested in seeing what OSF will do with Disney’s Beauty and the Beast. At first I had reservations – Disney! Really? But since then I have heard that instead of strictly controlling the production to be a replica of every other Disney’s Beauty and the Beast, OSF has been given free rein to produce it how they want. Which is the reason OSF’s write up says: “Think you know the Disney musical? Think again. Expect originality, surprises and ingenuity in OSF’s gorgeous and powerful new rendition.” Personally, I hope OSF will evoke more the original 18th century version.
Based on current reservations for the Chanticleer Inn B&B, it already looks like we’re going to be busy next year. Yet, there are still plenty of rooms available during the 2017 summer months and more during the early and late part of the season.